Re(stored)
A project about modern role of a woman
in a couple
in a couple
Could you restore love?
Click me
Re(stored)
Could you restore love?
Project about modern role of a woman in couple
Click me
Re(stored)
Re(stored)
Project about modern role
of a woman
in a couple
of a woman
in a couple
Click me
The Vase
45 cm high, plastic, 2024, 3D print
Can feelings be mended like a broken vase? Each fragment preserves the memory of what was once whole. In this work, the act of repeatedly gluing vases together becomes a ritual of restoring the lost — a quiet attempt to return form to something irretrievably changed. The reconstructed object embodies both resilience and fragility: the desire to preserve love, its meaning, and its delicate beauty even when integrity is no longer possible. The visible cracks reveal not only the traces of time and emotion but also the fractures of idealized expectations and societal constructs of relationships that fail to withstand reality.
Bias
50 cm high, 2025, 3D printing
This artwork scrutinizes the complex dynamics of familial relationships, where the mother-in-law's figure often becomes an unattainable standard. The piece transforms a mundane frying pan into a potent symbol of this tension.
Five precise holes perforate the pan's surface, representing the erosion of domestic efforts and the "void" of recognition. This violation of the object's integrity renders it non-functional, metaphorically nullifying the very possibility of a successful outcome. The pan's tilted orientation introduces a sense of dynamic instability, mirroring the emotional turbulence and inherent drama of the domestic sphere.
Five precise holes perforate the pan's surface, representing the erosion of domestic efforts and the "void" of recognition. This violation of the object's integrity renders it non-functional, metaphorically nullifying the very possibility of a successful outcome. The pan's tilted orientation introduces a sense of dynamic instability, mirroring the emotional turbulence and inherent drama of the domestic sphere.
Series of art objects “Witnesses”
Series of Art Objects “Witnesses” In this series, each plate is more than a household object — it is a living organism that has endured human drama. Broken and mended, they bear the marks of experience — cracks like scars of memory. The plates become metaphors for witnesses of quarrels, emotional storms, and unspoken words. They are the only beings who saw everything as it truly was: the conflict, the anger, the misunderstanding. In some, one can discern the image of a woman — a hostage of domestic discord, unable to speak of it for fear of social condemnation. Each plate is a fragment of a larger story, where the mundane and the personal intertwine, transforming an everyday object into a silent observer of human emotion.
Series of art objects
“Apology display”
“Apology display”
In this series, each object exists only halfway complete. Half of a Porsche, a Birkin bag, a bouquet of roses, a country house, and a high-heeled shoe — all become symbols of apology, frozen in a moment when a gesture cannot outweigh guilt. These items serve as visual metaphors for attempts to “smooth over” pain through material means, as if a gift could erase the reason it was given.
Each piece represents a fragment of a story where an apology is expressed not in words, but through an object. Yet the missing half reminds us: forgiveness cannot be measured by its price. Within these divided forms lies the fragility of relationships, where gestures replace dialogue and appearances stand in for sincerity.
The series reveals that a gift born of guilt can never bring full joy. It remains a silent witness to pain — a quiet reminder that even the most luxurious offerings cannot restore lost trust
Each piece represents a fragment of a story where an apology is expressed not in words, but through an object. Yet the missing half reminds us: forgiveness cannot be measured by its price. Within these divided forms lies the fragility of relationships, where gestures replace dialogue and appearances stand in for sincerity.
The series reveals that a gift born of guilt can never bring full joy. It remains a silent witness to pain — a quiet reminder that even the most luxurious offerings cannot restore lost trust
About the autor
- StatementI create a shopfront of relationships — a metaphorical space where family relationships unfold as a system of choice and consumption. As both artist and marketer, I repackage human emotions into symbolic “products,” composing them into installations that invite viewers to make up their own "family" basket.
Through the prism of the woman’s multifaceted role, I raise unsettling questions: What lies beneath the ideal image of a happy family? Who's right in a family conflict, when there are so many surcumstances? How proper roles in a family look like, and how society influence them?
I stand as the administrator of this imagined supermarket, where the shelves are true scenarios of imperfect relationships. - BioA multidisciplinary artist with international practice, working at the intersection of mixed media, sculpture, and ceramics. She studied at the Serov Art School in Moscow and holds a degree in Graphic Design from Moscow State University of Geodesy and Cartography. Blending academic precision with experimental freedom, Nataliya brings to her art over fifteen years of experience in marketing and branding, weaving narrative, symbolism, and visual codes into her creative process. Her works transform materials into hybrids, dissolving boundaries between disciplines and inviting the viewer into a space where meaningful themes emerge through dialogue.
- CV
- "Emotions" FineArt Gallery, Moscow, Vinzavod 2024
- “Myth creation” Ekatherina Culture fondation, Moscow 2024
- “Who's here?” Cube Art Space, Moscow, 2025
Contact me
2025 Natalia
NATALIA FABRICHNOVA
